Vidéo publicitaire automobile en ruelle méditerranéenne

FORMAT: 30 seconds / horizontal 4:3 / 1080p high bitrate / 24 fps, true real-time speed / premium automotive brand film / dynamic hard-cut montage, 15 shots / audio ON: SFX and ambience only, NO music.

STYLE: Shot on ARRI Alexa 35 with ARRI Signature Prime lenses: creamy round bokeh, soft highlight roll-off, natural skin, true-to-life color, fine organic film grain, high dynamic range, shallow depth of field on close-ups. Natural late-afternoon sun raking across stucco walls, soft bounce in shadows, crisp glints on burgundy paint. Palette: burgundy, cream, warm beige, green foliage, magenta bougainvilla. Mediterranean old-city streets, real traffic, real physics. Every camera is a physical rig with mass and inertia: dolly, low car-mount, camera car, handheld with subtle natural micro-shake on walking shots, no floating gimbal look. One single film look across all shots.

VIDEO PROMPT:

[ACT 1 — 0–10s: THE EXIT]

Shot 1 (0–2.0s): Wide static frame from across the street. A cream stucco apartment building, dark wooden door, magenta bougainvillea over the entrance. The door swings open and the woman steps out into the sunlight, sunglasses on, light green phone in her right hand. End state: on the top stone step, door closing behind her.

Shot 2 (2.0–3.2s): Extreme close-up at ground level. Her burgundy sneakers step down two stone steps toward the lens, suede texture crisp, a few fallen petals lift from the stone. End state: both feet on the pavement.

Shot 3 (3.2–4.4s): Close handheld lateral tracking at waist height. Silver belt buckle, trouser pleats moving with each stride, left arm swinging with the bracelet catching sun, phone held loosely in her right hand. End state: she walks out of frame right.

Shot 4 (4.4–5.8s): Medium close-up, backward-moving handheld in front of her. Sunglasses reflecting the street, curls bouncing with each step, cream collar sharp against light green knit, calm confident micro-smile, background in creamy bokeh. End state: she glances right toward the car.

Shot 5 (5.8–7.4s): Low wide, lens at bumper height behind the front corner of the parked burgundy coupe, car sharp in foreground. she walks in, pulls the chrome handle, the door opens with real weight. End state: she lowers herself in.

Shot 6 (7.4–8.8s): Interior static wide from the passenger side. she drops into the driver seat and with a short relaxed flick of her right hand tosses the phone onto the passenger seat. It lands flat on the leather, bounces once, settles. End state: phone resting on the passenger seat, his hands free.

Shot 7 (8.8–10.0s): Exterior close-up as she pulls the door shut with a solid heavy close, the window reflecting bougainvillea.

[ACT 2 — 10–20s: THE LAUNCH]

Shot 8 (10.0–11.2s): Interior extreme close-up: her hand turns the key, the analog tachometer needle jumps, then she snaps the gear lever into first.